"Easily the most breathtaking and kinetic anime ever made."
— Michael Atkinson, Village Voice
"A furious spectacle of lush colors and dynamic movement."
— Nick Schager, Lessons of Darkness
"One of the few unanimously acclaimed classics of Japanese animation."
— Luke Y. Thompson, New Times (L.A.)
"Put it up there with the most astonishing animated features ever made."
— Derek Malcolm, London Evening Standard
"It’s a towering achievement of imagination and the detail of each frame is a miracle of film artistry."
— David Jenkins, Time Out
"Style and substance run neck and neck in this thrilling, bold landmark film that just refuses to become dated."
— Phelim O'Neill, Guardian
"A landmark production that can be watched with equal satisfaction as a metaphorical psychodrama or as a sheer visual spectacular."
— Tasha Robinson, The A.V. Club
"A remarkable technical achievement in every respect, from the imaginative and detailed design of tomorrow to the booming Dolby effects on the soundtrack."
— Variety
"Some kind of fever-dream masterpiece, easily the most breathtaking and kinetic anime ever made and one of the most eloquent films about atomic afterclap."
— Michael Atkinson, Village Voice
"Otomo's masterwork uses its brilliantly detailed images to illustrate an epic commentary on the choices that face society and the possibilities for destruction in the near future. [15 Jun 1990]"
— Russell Stamets, Tampa Bay Times
"Adapted by Katsuhiro Otomo from his sprawling, post-apocalyptic cyberpunk tale of government conspiracies, street gangs, and psychic powers that can save or destroy the world, it's still an all-time classic, and has never looked better."
— Richard Whittaker, Austin Chronicle
"Conceived on an unprecedented scale in ambition and technique, Otomo’s rich visuals and awe-inspiring action depict a post-apocalyptic dystopia where the threat of feral biker gangs is dwarfed by the rise of an uncontrollable psychic."
— Simon Kinnear, Total Film
"Directed by Katsuhiro Otomo and based on his cult cartoon, the film is a computer graphics showpiece: best at swooping round structures (skyscrapers) and rotating three- dimensional objects (lots of explosions). But it's the hallucinogenic sequences that tell you why it has become a cult. [03 Feb 1991]"
— The Independent