"Elegant and startling and ambitiously spiritual..."
— Richard Roeper, Chicago Sun-Times
"It’s simultaneously cathartic and heartbreaking."
— Odie Henderson, Boston Globe
"An enormously satisfying and affecting experience."
— Peter Bradshaw, Guardian
"All of Us Strangers will break your heart — but it just might mend it too."
— Maureen Lee Lenker, Entertainment Weekly
"Scott is in almost every frame of this movie, and his work is Oscar-worthy."
— Odie Henderson, Boston Globe
"Paul Mescal and Andrew Scott spark in a masterful love story of loneliness and healing."
— Anna Bogutskaya, Time Out
"Emotional and lyrical, All of Us Strangers is a meditation on what it means to really be a human."
— Alissa Wilkinson, Vox
"Tender but bruising, All of Us Strangers is an absolute marvel, the kind of movie that leaves a mark on you for weeks."
— Kimber Myers, Crooked Marquee
"In Haigh’s hands, the ghost story becomes a potent exploration of grief, and the impact it has on how we move through the world."
— Alejandra Martinez, Austin Chronicle
"The film becomes more heart-wrenching as it moves on. How could it not? But every imagined scene remains full of authentic emotion."
— Caryn James, BBC.com
"A sublime masterpiece. A rumination on grief and love, Haigh’s poignant and understated ghost story is one of the best films of the year."
— Tomris Laffly, TheWrap
"Andrew Haigh’s All of Us Strangers captures the eerie, disorienting and utterly sacred experience of encountering a lost loved one in your dreams."
— Justin Chang, Los Angeles Times
"All of Us Strangers is one of the most remarkable riffs on the ghost story in years, injecting new life into a genre that was always defined by horror and grief."
— Hoai-Tran Bui, Inverse
"Filmmaker Andrew Haigh strikes gold in this moving, heart-wrenching drama about the lasting trauma of grief, isolation and the all-too-human fear of loneliness."
— Laura Babiak, Observer
"Driven by such tender and thoughtful performances, All of Us Strangers is a healing, heartbreaking, and haunting look at the human condition that will stay with viewers long after they’ve left the theater."
— Becca James, Chicago Reader
"The latest from Andrew Haigh is an exquisitely melancholy fantasy-infused meditation on loss and isolation. A luxuriantly sad and skin-tinglingly sensual gay romance, it is propelled by a killer combination of 80s queer pop and a pair of devastating performances from Scott and Mescal."
— Wendy Ide, Screen Daily
