"Apples is an offbeat treat that manages to embrace ironic distance and emotional weight through a prism of perfectly judged absurdism."
— Empire Ian Freer, Empire
"'Apples' is subtle throughout, but delivers a complex existential journey with deep meaning."
— Randy Myers, San Jose Mercury News
"It's a testament to the strength of this lonely and aloof tragicomedy's central allegory that it adapts so well to our pear-shaped times."
— Peter Debruge, Variety
"Apples suggests, with great pertinence, that pandemics create new normals and nothing is set in stone. That said, Nikou's career seems like something we can bank on."
— Charlotte O'Sullivan, London Evening Standard
"The filmmaker performs an astounding feat of maintaining the perfect balance between self-awareness, alienation, warmth, comedy, and pathos. Apples is a singular experience."
— Alex Saveliev, Film Threat
"What might have been the latest oddity of the Greek Weird Wave — or else a surreal collection of live-action 'The Far Side' cartoons — instead feels soulfully relevant as reality aligns with the speculative world Nikou imagined."
— Peter Debruge, Variety
"Simultaneously deadpan and dour, somber and surreal, this is a haunting meditation on the manipulation of memory to anesthetize pain, crafted with a meticulous attention to visual and aural composition that makes for arresting viewing."
— David Rooney, The Hollywood Reporter
"A meditation on memory, identity, grief and loss, with the narrative device of a global pandemic thrown in for good measure: Apples might initially sound like a tough sell. But this hugely accomplished, satisfyingly textured first feature is really something special."
— Wendy Ide, Screen Daily