"CODA is the kind of movie that makes you want to stand up and cheer."
— Kristy Puchko, Pajiba
"CODA puts an effervescent and original spin on the coming-of-age comedy-drama."
— Richard Whittaker, Austin Chronicle
"No theatrics, no gimmicks - just a wonderful coming-of-age gem that aims directly at the heart and hits the bullseye."
— Mara Reinstein, Us Weekly
"You’ll laugh, all right. You’ll cry. You’ll do both at the same time. CODA is just that kind of movie. And thank goodness for it."
— Ann Hornaday, Washington Post
"By the time the movie reaches its poignant, beautiful conclusion, I defy anyone to have a dry eye. CODA is about letting go and letting your loved ones soar."
— Amy Amatangelo, Paste Magazine
"What is surprising is the moving, even heartbreaking, way writer-director Heder tells Ruby’s story without resorting to clichéd characterizations or syrupy sentimentality."
— John Anderson, Wall Street Journal
"Each performance breathes life and nuance into what could easily have been a misfire. Instead, the result is tremendously sweet, uproariously funny and one of the best crowd-pleasers this year."
— Siddhant Adlakha, Observer
"Most of all, [Heder] makes us see and believe in our bones that the Rossis are a real family with real chemistry, with real bonds and trials of their own, both unique and universal just like any other family."
— Tomris Laffly, RogerEbert.com
"CODA is a radiant, deeply satisfying heartwarmer that more than embraces formula; it locates the pleasure and pureness in it, reminding us of the comforting, even cathartic, gratifications of a feel-good story well told."
— Jon Frosch, The Hollywood Reporter
"You'll laugh, you'll cry and all steps in between at this vital family entertainment with a title that stands for Children of Deaf Adults. Oscar winner Marlee Matlin and newcomer Emilia Jones turn this emotional powerhouse into one of the year's best movies."
— Peter Travers, ABC News
"As much CODA is a film about a hearing person’s relationship to deafness and Deaf culture, it’s just as much about deaf characters’ relationships to a hearing world, whose norms most hearing people take for granted, and whose obstacles can impact everything from labor to self-worth."
— Siddhant Adlakha, Observer
"What could feel cliched at various turns deftly avoids that, capturing Ruby’s plight in a way that recalls any number of coming-of-age stories while still feeling unexpectedly fresh and distinctive. There have been a number of first-rate movies about teenage girls in the last few years, but few that were better."
— Brian Lowry, CNN