"[It] just might be the Coen brothers' singular mythic masterwork."
— Amy Biancolli, Houston Chronicle
"Roger Deakins’s cinematography is as much a star of the film as any of the cast."
— Wendy Ide, Times (UK)
"The Coen brothers have once again placed themselves at the very forefront of American cinema."
— Paul Arendt, BBC.com
"The Coens are geniuses at creating tension through editing. No Country has craft and atmosphere aplenty."
— Chris Vognar, Dallas Morning News
"No Country for Old Men is the first movie I've seen in a very long while that deserves to be called a masterpiece. It's such a stunning achievement in storytelling."
— Lou Lumenick, New York Post
"No Country for Old Men looks into the unfathomable depths of evil and poses existential questions about human destiny. Meanwhile, it takes your breath away."
— Harper Barnes, St. Louis Post-Dispatch
"This magnificent film represents the best work the Coen Brothers have done since Fargo. Like that classic this is a cold-blooded thriller with a darkly humorous edge."
— David Stratton, At the Movies (Australia)
"No Country for Old Men is a thoroughly compelling exercise in the cinema of suspense that proves the power of the old-school thriller remains undiminished."
— Jim Schembri, The Age (Australia)
"Potent, powerful, compelling, elegant, unnerving and emotionally turbulent, Joel and Ethan Coen's adaptation of Cormac McCarthy's No Country for Old Men is a bona fide miracle."
— Sara Michelle Fetters, MovieFreak.com
"Watching this film has something of the elemental thrill of watching a cloud-shadow spread with miraculous speed over a vast, empty landscape: it has a chilly, portentous intuition of what America is."
— Peter Bradshaw, Guardian
"Bardem is nothing less than the best movie villain since Anthony Hopkins slipped out of Hannibal Lecter's manacles, scary-smart and horrifyingly appealing, and Brolin is nothing short of a revelation."
— Terry Lawson, Detroit Free Press
"A masterly tale of the good, the deranged and the doomed that inflects the raw violence of the west with a wry acknowledgement of the demise of codes of honour, this is frighteningly intelligent and imaginative."
— Geoff Andrew, Time Out