"If you’re willing to surrender to his singular vision, you might just walk out of the theater seeing the world in a new way."
— Chris Nashawaty, Entertainment Weekly
"Farrell absolutely kills it as David. Weisz gives one of her best performances since her Oscar-winning turn in The Constant Gardener."
— Richard Roeper, Chicago Sun-Times
"A wickedly funny protest against societal preference for nuclear coupledom that escalates, by its own sly logic, into a love story of profound tenderness and originality."
— Guy Lodge, Variety
"This is the type of film I'm going to watch multiple times, obsessing over every choice Lanthimos and his talented team of cinematic craftsmen made in order to see it come to life."
— Sara Michelle Fetters, MovieFreak.com
"The Lobster is what would happen if Wes Anderson set about doing Franz Kafka, with a hefty dash of George Orwell thrown into the mix: surreal, comic, sad, strange, beautiful, sublime."
— Steven Rea, Philadelphia Inquirer
"The Lobster remains strangely romantic throughout, an absurdist take on the notion that great love stories — Casablanca, The Way We Were, Gone With the Wind — don't always end tidily."
— Steve Persall, Tampa Bay Times
"The Lobster plays rigorously by its own rules without once telegraphing "Just kidding!" While extremely funny, it is a bitter and ruthless film. Lanthimos plays target practice and his aim is deadly."
— Sheila O'Malley, RogerEbert.com
"Cruelty and humor are nestled like spoons in a drawer. Mr. Lanthimos’s method is to elicit an appreciative chuckle followed by a gasp of shock, and to deliver violence and whimsy in the same even tone. 'The Lobster' is often startlingly funny in the way it proposes its surreal conceits, and then upsettingly grim in the way it follows through on them."
— A.O. Scott, The New York Times