"One of [Jean-Pierre Melville's] best."
— Peter Rainer, FilmWeek (KPCC - NPR Los Angeles)
"Achieves an atmosphere of mesmerizing, otherworldly beauty and grace."
— Nick Schager, Slant Magazine
"An austere poem of crime, Le Samourai manages to have a grip of an old-fashioned potboiler as well. Not a half-bad combination."
— Kenneth Turan, Washington Post
"[Melville's] style remains haunting and elegantly spare, just right for the kind of hit man who lives in silence, in bare and colorless surroundings, with a lonely caged bird."
— Janet Maslin, New York Times
"It combines stylish direction, an intelligent script, first-rate performances, and overpowering atmosphere into one of the most tense and absorbing thrillers ever to reach the screen."
— James Berardinelli, ReelViews
"Filmmakers as diverse as Quentin Tarantino and Paul Schrader were influenced by Melville, and Hong Kong action director John Woo calls the film 'the closest to a perfect movie that I have ever seen.'"
— Edward Guthmann, San Francisco Chronicle