"Davis gives one of the best performances you will see this, or in any other, year."
— Sara Michelle Fetters, MovieFreak.com
"The finest and most genuinely provocative horror movie to emerge in this still very-new century."
— Glenn Kenny, RogerEbert.com
"The line between terrifying reality and terrifying fantasy isn't so much blurred as altogether obliterated."
— John Semley, Globe and Mail
"Jennifer Kent's startling debut is an artful horror-chiller that gets under your skin and into your psyche."
— Rafer Guzman, Newsday
"What's most terrifying about The Babadook is that Kent grounds a bizarre supernatural premise in very real feelings of anxiety and depression."
— Noel Murray, Nashville Scene
"Kent's debut feature combines the bumps and creaks of the classic haunted-house movie with the visceral kick of Australian exploitation films."
— Scott Tobias, The Dissolve
"A deftly inventive and psychologically charged horror story that trades on the ways in which the prospect of maternal failure can be just as fearsome a boogeyman as any monster under the bed."
— Alison Willmore, BuzzFeed News
"Kent and editor Simon Njoo show maturity and trust in their material, expertly building tension through the insidious modulation from naturalistic dysfunctional family drama to all-out boogeyman terror."
— David Rooney, The Hollywood Reporter
"One of the strongest, most effective horror films of recent years - with awards-quality lead work from Essie Davis, and a brilliantly designed new monster who could well become the break-out spook archetype of the decade."
— Kim Newman, Empire Magazine
"The Babadook is easily the best horror film of 2014. But bolstered by knockout performances, and a mind-bending narrative beautifully shot and colored, The Babadook is so much more. It's one of the best films of the year."
— Kristy Puchko, CinemaBlend
"As someone who has developed a pretty thick Critic's Shield from years of watching standard haunted house/possessed human/mythological-creature fare, I have to say I was genuinely freaked out by some of the passages in The Badabook."
— Richard Roeper, Chicago Sun-Times