"The end result is stunning and scary, full of swooping, swooning, doomed romanticism and moments of pure, unblinking horror."
— Chris Evangelista, Slashfilm
"A monument to dark desire and the corruption it breeds, and a masterpiece of unholy terror that instantly takes its place alongside the genre’s hallowed greats."
— Nick Schager, The Daily Beast
"Nosferatu shows Robert Eggers at the height of his powers, building an atmosphere of choking menace anchored by magnificent turns from Lily-Rose Depp and Bill Skarsgard."
— Jeff Ewing, Collider
"Bloodcurdling to the last delicious drop, Nosferatu is extraordinarily compelling, one of the best films of the year, and an unforgettable, phantasmagoric experience for theaters that will astonish."
— Rodrigo Perez, The Playlist
"Nosferatu is Robert Eggers' finest work, given how it both boldly stands on its own as a gothic vampire drama and astutely taps into the original texts — F.W. Murnau's silent classic and Bram Stoker's novel Dracula."
— Siddhant Adlakha, IGN
"It’s a Gothic horror nightmare heaving with sumptuous visual detail, groaning under the weight of portentous dread, writhing with both convulsive violence and sweaty eroticism and leavened by sly hints of fiendish camp."
— David Rooney, The Hollywood Reporter
"Nosferatu is a feast for the senses, so transportive in its world-building that one can almost sense the legion of rats scurrying below their feet and feel the chill in the air when Orlok glides through the moon-lit window to guzzle blood."
— Jordan Raup, The Film Stage
"Eggers gives us a gothic horror that teeters on the edge of madness, resulting in an elegantly woven tapestry of encroaching evil. Led by Bill Skarsgard as the unholy titular monster, this Nosferatu leaves its mark as one of the most memorable of vampire tales."
— Tim Grierson, Screen Daily
"Eggers' Nosferatu is a beautifully crafted, endlessly compelling nightmare that will envelop you in its shifting, writhing darkness and simply refuse to let go. It's one of the best horror films of the year, and represents a new level of ambition and craft from one of our best horror filmmakers."
— Matthew Jackson, Looper
