"A short and flawless wonder."
— Kevin Maher, Times (UK)
"A marvel of poise and circumspect emotion from French auteur Robert Bresson."
— David Parkinson, Empire Magazine
"Every image in Pickpocket evokes the director's idea of the soul in transition."
— Ed Gonzalez, Slant Magazine
"The movie, above all, affirms the miracle of redemptive love and its price in humility and unconditional surrender."
— Richard Brody, New Yorker
"Robert Bresson made this short electrifying study in 1959; it's one of his greatest and purest films, full of hushed transgression and sudden grace."
— Dave Kehr, Chicago Reader
"Bresson choreographs the complex techniques of lifting wallets and watches with such precision that one seems to be watching a kind of surreptitious ballet."
— David Denby, New Yorker
"French director Robert Bresson used his nonactors only once and orchestrated every gesture and glance; the performances that resulted are both mesmerizing and suffused with mystery."
— Edward Karam, Entertainment Weekly