"September 5 gives a fresh perspective on not just the events that transpired, but how the entire world watched it unfold onscreen."
— Shane McKevitt, Film Ireland Magazine
"September 5 is a heart-pounding examination of journalistic ethics, laying bare the high-stakes clash between urgency and accuracy. It’s a masterful film."
— Mark Johnson, Awards Daily
"Even though the fate of these hostages was determined over five decades ago and you witness the events from a distance, Fehlabum and his editor will keep you in suspense as the drama plays out."
— Gregory Ellwood, The Playlist
"Superbly acted and edited, September 5 bursts at the seams with tension, anxiety, and professional resolve through 90 mind-blowing minutes. It is a gripping thriller that challenges for best film of the year."
— Julian Roman, MovieWeb
"This is a deeply heartfelt and emotional watch that honors the memories of the victims of that day and respectfully and effectively interrogates the actions of those who helped the entire world witness it."
— Abe Friedtanzer, Awards Buzz
"From the incredible recreation of the ABC Studio, to the mixture of archival footage, strong cinematography, perfectly placed editing and strong ensemble cast, September 5 grabs you and refuses to let go."
— Michael Balderston, What To Watch
"A thrilling and essential viewing experience, blending outstanding performances with a gripping narrative, and a specific approach that powerfully examines media ethics and its impact on a global audience."
— Matt Neglia, Next Best Picture
"Taking viewers into the control booth, September 5 recounts that tragic day with a combination of electricity and dread, drawing on strong performances for a meditation on the media’s responsibilities during such a volatile situation."
— Tim Grierson, Screen International
"Taking a story that is now 52 years old and making it not just relevant but newly inspiring, in terms of the Herculean human effort by this team of professionals who left it all on the field, is no small feat. September 5 succeeds on every level."
— Pete Hammond, Deadline Hollywood Daily
