"Vittorio De Sica's Bicycle Thieves is tender and immediate."
— Kate Muir, Times (UK)
"Undeniably the most important neorealist film after Rossellini's Open City."
— Don Druker, Chicago Reader
"The picture is a pure exercise in directorial virtuosity."
— Variety Staff, Variety
"Easily one of the greatest and most important movies in cinematic history."
— Radheyan Simonpillai, AskMen.com
"Decades later, you can see the influence of Bicycle Thieves everywhere, in a variety of genres and languages."
— Christy Lemire, ChristyLemire.com
"One of the great films that truly deserves to be called a timeless classic, The Bicycle Thief is a thing of simple beauty."
— Marjorie Baumgarten, Austin Chronicle
"This film manages to appeal to the better angels of our nature in a way that only deepens as we grow older along with the film."
— Kenneth Turan, Los Angeles Times
"Again the Italians have sent us a brilliant and devastating film in Vittorio De Sica's rueful drama of modern city life, The Bicycle Thief."
— Bosley Crowther, New York Times
"One of the great, perfect crystalisations of a specific point in time into a particular film, this is one of the greatest cinematic experiences ever."
— David Parkinson, Empire Magazine
"A defining landmark of Italian neorealism and a haunting fable of want and desperation… an ideal marriage of form and meaning. Even the title is indispensable."
— Steven D. Greydanus, Decent Films
"Bicycle Thieves is a wholly satisfying film in that de Sica has so simplified and mastered the mechanics of the job that nothing stands between you and his intention."
— Richard Winnington, Sight & Sound
"De Sica carefully balances a generally tragic sensibility with a quiet undercurrent of hope, all the while sucking us into the story with the sheer urgency of the search for a stolen bicycle."
— Hank Sartin, Time Out
"The Bicycle Thief is so well-entrenched as an official masterpiece that it is a little startling to visit it again after many years and realize that it is still alive and has strength and freshness."
— Roger Ebert, Chicago Sun-Times