Red Rooms

"A chilling, skin-crawling experience, "Red Rooms" is the most disturbing horror movie of the year."

— Chris Evangelista, Slashfilm

"A lead performance of pure sociopathic intensity is what makes this serial-killer horror stand out."

— Peter Bradshaw, The Guardian

"One of the most spellbinding, taut and provocative crime thrillers since The Girl with the Dragon Tattoo."

— Avi Offer, NYC Movie Guru

"Plante’s unblinking screw-tightening builds to one of the most jaw-dropping scenes of this or any year."

— Katie Rife, RogerEbert.com

"With Red Rooms, Plante has surely distinguished himself as one of the most exciting new voices in cinema."

— Harry Thorfinn-George, The Arts Desk

"Tense and terrifying, aided by sharp camera work, director Pascal Plante’s portrayal of a frightening fixation is utterly gripping."

— Laura Stott, The Sun (UK)

"Red Rooms is a gripping psychological horror, held together by Pascal Plante's strong direction and, most notably, Gariépy's standout performance."

— Linda Marric, HeyUGuys

"A suspenseful exploration of serial-killer psychology and celebrity, this offbeat French thriller is both viscerally unsettling and intensely provocative."

— Todd Jorgenson, Cinemalogue

"Red Rooms is a striking and austere examination of the true-crime industrial complex that benefits from its formality and disturbingly removed protagonist."

— Hannah Strong, Little White Lies

"With tremendous performances, a sharp script that combines tension with mystery and a memorably harrowing story at the centre, 'Red Rooms' is a must-watch for fans of the genre"

— Rebecca Johnson, Film Focus

"Plante, who also wrote the script, seems concerned with the inherent misogyny of horror, and suspicious of films built around the prospect of simultaneously drooling at women and watching their demise."

— Kevin Maher, Times (UK)

"Plante’s less is more approach delivers an impactful, gripping crime story, and his strong script, fantastic cast performances, and masterful camerawork make the feature one of the best modern-day released psychological thrillers."

— Emma Vine, Loud and Clear Reviews