"An utterly captivating, entirely unique cinematic presence"
— Katie Walsh, Los Angeles Times
"That a story about post-traumatic dissociation and recovery is this funny and charming is a minor miracle."
— Jacob Oller, AV Club
"Bittersweet, brilliant, and heartwarmingly funny, Sorry, Baby is a movie that is sure to find an audience beyond Sundance."
— Kristy Puchko, Mashable
"What’s perhaps most striking about “Sorry, Baby” is the thread of genuine humanity and empathy that runs straight through it."
— Kate Erbland, IndieWire
"I was moved to tears by the bond between Agnes and Lydie, and how Victor and Ackie bring to life the cellular nourishment true friendship provides."
— Kimberley Jones, Austin Chronicle
"Tough, tender and observational, 'Sorry, Baby' suggests that Victor’s promising career has been suitably launched. The best, with luck, is yet to come."
— Ann Hornaday, Washington Post
"The extraordinary tact and compassion with which Victor dramatizes Agnes’s assault and its aftermath allows us to see this story for what it truly is – a diary of personal reclamation."
— Peter Rainer, Christian Science Monitor
"This is a diamond of a screenplay. Based on just those merits alone, “Sorry, Baby” is a tremendous artistic triumph on the healing power of friendship and queer relationships."
— Randy Myers, San Jose Mercury News
"It’s a triumph from Eva Victor, who writes, directs, and stars in a debut feature that nimbly combines black humour, deadpan naturalism and an emotional fearlessness that has no patience for false notes."
— Nicolas Rapold, Financial Times
"Victor’s story is undeniably personal, yet that does not make it any less insightful or universal. This is the type of film that stays with you long after the curtain has closed and everyone has left the theater."
— Sara Michelle Fetters, MovieFreak.com
"Clear-eyed, disarming and, yes, plainly semi-autobiographical, 'Sorry, Baby' takes every right turn in making Agnes far more than a tragic yet wisecracking victim, with a smiling-through-tears ending waiting around the bend."
— Michael Phillips, Chicago Tribune
"The manner in which Victor presents this narrative, with such verve and confidence and tenderness and pitch-black humor, defies easy description. It’s simply an amazing display of someone knowing how to get their voice and vision across."
— David Fear, Rolling Stone
"Sharply written, smartly structured and well-acted, with a star-making turn from Victor herself, the 93-minute black comedy is not only nimble and consistently funny, but one of the best, most honest renderings of life after sexual assault that I’ve seen."
— Adrian Horton, Guardian
"A meticulously crafted wonder, the most auspicious debut I’ve seen here this year. Victor maintains the oddball humor that first endeared her to her followers, but she also incorporates whole other, previously unseen facets of her considerable talent."
— Richard Lawson, Vanity Fair
